Posts Tagged ‘fun’

Eminem and Simon & Garfunkel mazes by Yontan Frimer

December 10, 2009
Simon and Garfunkel Maze created by Yonatan Frimer
Simon and Garfunkel Maze
Simon and Garfunkel Maze

To see more mazes by the same artist, visit: or

If you’d like to buy prints of mazes, click here

Eminem Maze Portrait – Marshal Mathers
eminem maze marshal mathers portrait

To see more mazes by the same artist, visit: or

If you’d like to buy prints of mazes, click here

Celebrity, artword, celebrities, portraits, famous,  Portait maze of albert einsteinbarak obama maze by maze of mazes artist yonatan frimer

pool maze 001

To see more mazes by the same artist, visit: or

If you’d like to buy prints of mazes, click here

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Eminem and Simon & Garfunkel mazes by Yontan Frimer

Maze Artist Yonatan Frimer completes maze portrait of Madonna

November 23, 2009

Maze Artist Yonatan Frimer

completes maze portrait of Madonna

Maze Artist Yonatan Frimer

completes maze portrait of Madonna


Tel Aviv, Israel – World renown maze artist Yonatan Frimer has completed a striking portrait of the musician song writer Madonna (Madonna Ciccone) for an undisclosed sum. While this is by far not the first portrait created for the London based pop-diva, it is indeed the first maze created of her likeness.

“I am actually a huge
fan of Madonna and was very excited to do this project”, says Frimer, “I was even a fan of her music back in the 80’s before she was as huge of a celebrity as she is now”

Frimer lives in Safed, a small hill top town in northern Israel where Madonna owns a quaint house in addition to her various other mansions around the globe. Safed is known for its spirituality and is a world hub for Kaballah, a religious practice that Madonna is famous for promoting. “I guess you can say Ms. Ciccone (Madonna) is my neighbor”, jokes Frimer.

This is not the first high-profile work created by Frimer. Earlier this year, he created several mazes of captured Israeli solider Gilad Shalit and is rumored to be working on portraits of Lady Gaga and Lily Allen

For more maze and the above mentioned check out:

Al Gore Maze, Created By Yonatan Frimer

November 10, 2009

Maze Portrait of Al Gore: An Inconvenient Maze:

An Inconvenient Maze: Al Gore by you.


More Mazes are available at


Maze created by Yonatan Frimer. Entrances and Exits are marked with arrows.
You can find more mazes like this one at

and more mazes also at

Mazes of Snoop Dogg, Madonna, Ed Kennedy and more celebrity maze portraits

September 11, 2009

Get lost in the corn maze at DeVries Farm near Olathe Print E-mail
Activities Events
Wednesday, 09 September 2009 00:00

An aerial view of this year’s corn maze at DeVries Farm near Olathe. The maze is open daily from 8 a.m. to 6 p.m.

Ready to get lost on the farm? DeVries Farm near Olathe has created a fun corn maze again this year and it is now open.
The mazes are open from 8 a.m. to 6 p.m. daily between now and Halloween (even later in the season if conditions allow). The maze is filled with fun agricultural facts and takes about an hour to complete.

The corn maze and DeVries Farm is located off Highway 50 between Olathe and Montrose between mile markers 85 and 86.

Cost is $6.50 for adults (13 and older) and $5.50 for kids ages 4 to 12 and senior citizens (60 and older). A family pass is $20 for the first four, and then $3 for each additional family member. Group rates and night mazes are available upon special request.

According to Randy Friend, who came up with this year’s design, there are more than three miles of trails in the maze, covering 12 acres. Kevin Davis put the design to paper, and Mesa Surveying took that drawing and put it into GPS. It took four people one whole day to lay all the points out from that GPS. After growing the corn, Friend spent hours rotor-tillering all the pathways and getting it ready for opening day – it took about 200 hours to actually build the maze!

Upon entering the maze, you will find plants from six to 10 feet tall, planted in two directions to make it thicker and more challenging to find your way through the maze.

After the maze season ends, the field should yield about 2,000 bushels – about 56 tons – of corn, which will be used to feed chickens at Foster Farms. The corn stalks will be baled and fed to the 62 buffalo at the farm. Along with the maze, DeVries also has a u-pick pumpkin patch which will open later in September. Unclaimed pumpkins will also be fed to the buffalo.

Visitors will also find u-pick tomatos and roasted chilies, and a produce stand filled with fresh local fruits, vegetables and buffalo meat.

Also watch for details of the Olathe Volunteer Fire Department’s Punkin’ Chunkin’ event, set for Oct. 24 at 10 a.m. There will be activies all day long. Pumpkins will be thrown, the corn maze and pumpkin patch will be open, and contests for costumes, pumpkin decorating and pie eating. There will even be a haunted maze that night.

Friend said, “We are very excited about all this year’s events! We hope families will be able to have a fun-filled day on the farm.”

Cordazar Calvin Broadus – Snoop Dog – the Maze Fo’ Shizzle
Maze of Snoop Dog Cordazar Calvin Broadus

Maze of Madonna Ciccone

Madonna Ciccone Portrait Maze

Maze of Chance
Maze of Chance

Maze of Dudu Topaz

Maze of Dudu Topaz
Maze of Dudu Topaz
Maze of Eli Gurock
Maze of Eli Gurock
Maze of Ed Kennedy
Maze of Ed Kennedy
Maze of Ed Kennedy

Maze of Molly Rabinovitch
Maze of Molly Rabinovitch
Maze of Molly Rabinovitch
Maze of Sean Connery
Maze of Sean Connery

Maze of Sean Connery

Maze of Shani Eliyahu

Maze of Shani Eliyahu

Maze Portrait of Rav Shlomo Carlebach
maze artwork Shlomo Carleback

The Artist

Maze of Gilad Shalit in Uniform PDF of this maze
Maze of Gilad Shalit with rifle strap in uniform  - Kidnapped Israeli Soldier by hamas

Maze of Gilad Shalit in Uniform PDF of this Maze

mazes picture for close up maze of eyes

Maze Art Mazes

September 8, 2009
Home Contact About the Artist Portfolio

Gilad Shalit Mazes
Mazes of the Israeli soldier abducted by Hamas on June 25, 2006

Images courtesy of Y. Frimer, Maze Artist at Ink Blot Mazes.
Maze of Gilad Shalit in Uniform PDF of this maze
Maze of Gilad Shalit with rifle strap in uniform  - Kidnapped Israeli Soldier by hamas
Maze of Gilad Shalit in Uniform PDF of this Maze
Maze of Gilad Shalit, Wearing a hat and in Uniform PDF of this Maze
Maze of Gilad Shalit, Wearing a hat and in Uniform Maze of Gilad Shalit - Kidnapped Israeli Soldier by hamas
PDF of this MazeMaze of Gilad Shalit, Wearing a hat and in Uniform

Maze Portrait of Gilad Shalit – Headshot Maze in PDF

Maze Portrait of Gilad Shalit - Headshot Maze of Gilad Shalit - Kidnapped Israeli Soldier by hamas
Maze Portrait of Gilad Shalit – Headshot Maze in PDF
Gilad Shalit Maze – PDF
Maze of Gilad Shalit - Kidnapped Israeli Soldier by hamas
Gilad Shalit Maze – PDF

Home Contact About the Artist Portfolio
Ink Blot Mazes

buy mazes?
Maze Archive

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Maze of Gilad Shalit - Kidnapped Israeli Soldier by hamas Maze of Gilad Shalit wearing Uniform and RifleGilad Shalit Maze of Gilad Shalit - Kidnapped Israeli Soldier by hamasMaze of Gilad Shalit - Kidnapped Israeli Soldier by hamas Maze of Gilad Shalit, Captured Israeli Soldier.

Here you go…
Scroll down to view it all –
Maze Aquarium - MazeriumThe MAZE Sets the Sun

Maze cover for Edvard Munch, SCREAMAZINGAbsolut Maze
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Bless AmericanMaze Kong

– Click on the MAZE to view the FULL MAZE –

– And tell your friends about –

My MAZErotti does 185Get to the spider

maze header it isfly butters

The Artist

funky mazes of susan boyle

June 18, 2009

check out this cool maze of susan boyle that is basically a maze and portrait all in one.

Anyone know if she got anything out of all that besides second place?

Shocked to get “3-Yeses” Susan Boyle Maze
maze of susan boyle singing i dreamed a dream on britians got talent

And here is another maze I found of here, I think from the same artist…
Susan Boyle Singing Maze
maze of susan boyle singing i dreamed a dream on britians got talent

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Ok, now one more think, if you ever need a place to stay in safed, israel, check out

The best mazes on the web.

March 19, 2009

List of the top maze out on the internet….


Top Ten Maze Links:

  1. Mazes for sale, ROYALTY FREE on Clip-Art website –
  2. Bearded Bunny Blog – Free Printable Mazes –
  3. Team Of Monkeys – some very cool mazes, for free and larger sizes and vectors files for sale as clipart. –
  4. Maze of Mazes – Collection of image mazes. –
  5. Handy Dandy Maze Editor –
  6. Experience Mazes, REALLY! –
  7. Maze Master – Funky Mazes –
  8. Ink Blot Mazes – Same artist as Team Of Monkeys, but  a much tidier site and also with some quotes and other puzzles –
  9. Maze Algorithms – Think Labyrinth –
  10. Mazes on Facebook – an public album on facebook of mazes. COOL! –



Part 3 – Tile-Based Graphics, and Maze Creation

Often in game creation it becomes necessary to create multiple sets of game graphics and background images which contain similar details and repeating elements. It may be for a HUGE outdoor overhead map for a role-playing game showing landmarks, hills, trees, grass, monsters, etc., or as in our case, a bunch of similarly-constructed mazes, or whatever. As game designers and programmers, we need to be able to store, manipulate, and recreate these in our game, using as few graphic, memory, and hard disk storage resources as possible.

One common way of doing this is called “Tokenizing” the image. Instead of saving and loading all the images we could possibly need for our game, we break the image down into a small number of replicable parts – a set of graphic pieces that we can arrange to create the image we need when we need it. Usually, most pieces in this set are the same size, and will match up against other pieces in the set. The graphic pieces are generally called “tiles.” The graphic screens are stored as a matrix of alphanumeric characters, called “tokens,” with each character in the matrix corresponding to one of the graphic tiles.

Here are the mazes I have created so far for Snack Attack!

The first “maze” is for the About this Game screen. The ghosts chase Snacky around the About this Game text. The next maze (top, middle) is the original Pacman maze, resized to fit our game window. The next four mazes (the red, purple, green, and brown ones) are the original mazes from Ms.Pacman, and the last two I found in hacked MsPacman roms on the net.

Looking at the mazes, you’ll see that they all contain similar elements – rounded ends, right angle bends, segments that are the same length, etc.. To create these mazes, I took screen shots of the Pacman, et al, mazes and cut them up into 24 chunks. These 24 pieces arranged carefully, can recreate any maze a Pacman game can run.

Once I knew what the pieces needed to look like, I had to determine how to create a set we can use for our game. I had to make some creative and technical decisions to make the game easier to do and to make the mazes “fit” in our game window.

The mazes in the Pacman Arcade game are 1.5 times as tall as they are wide, and our game window is roughly square in mode 19, which has a 3:4 aspect ratio. In the Original, the maze borders are thinner than the maze obstacles, and the vertical spacing between obstacles alternates between high and short as we go from top to bottom in the maze. To limit the number of tiles we’d need and to make maze creation and AI programming easier, I decided to have one set of tiles for everything, and to make all the tiles the same size. Notice our borders and obstacles are the same thickness.

After a couple hours of tweaking, I determined the “correct” matrix size for our game is 19×22, with tiles that are 12×8 pixels in size. My primary criteria was being able to reproduce the original Pacman maze using uniform-sized tiles, and this maze needed to fit in a square game window as close as possible to the screen size we have. Our game window is about 8 pixels shorter than my other games, so I added the light blue border box around the game window, centered it, and adjusted the size of our feedback window to make it balance better. Since our Maze tiles are 12×8, for consistency sake, I set the graphics size for all the moving sprites to also be 12×8. This really is arbitrary, but it makes keeping track of them easier. Another upshot of having 12×8 tiles is we end up with about 1/3 fewer dots than the original.

Here is our minimum tile set:

Notice that our tile set is not colored. In the game we need to draw the mazes in different colors, so our tile set here is black, white, and gray. When we draw the maze we’ll color the white and gray pixels in each tile to the outline and interior color, respectively. Here I’m showing you the 2D “arcade” tile set, because it’s easier to see how it fits together. I have a more solid, 3D pipes-look tile set in 10 colors that will be included in the final version of the game. It was constructed the same way, only I processed each tile in photoshop to make it look 3D like. We’ll have a game option to choose between the two tile sets.

Our tile set contains a few extra tiles to correspond with new features we’ve added to the game. The 6 images along the bottom row are doors. The first two are doors for the penalty box. In Pacman and MsPacman, the penalty box is always in the same place, in the same orientation. The reason I think is that they needed to hardcode the location so that the ghost’s eyes can find their way back to the box so that the ghosts can respawn when we kill them. For our game, we can just have the eyes target the Penalty box door, and they’ll always find it, so we can put the Penalty box anywhere in the maze and it can have a vertical orientation if we want it to. Therefore I included a Horizontal and Vertical Penalty box door.

The next two doors are Ghost-Only doors. Snacky can’t go through them. We may want to make passages for the ghosts so they can ambush Snacky. The last two doors are Snacky-only doors. We may want to block the ghosts from certain Snacky-safe escape routes.

Included in the tile set is a Dot, so we can place the dots only where we want them. Similarly, we can place energizers anywhere we want, and since Euphoria is flexible in redimentioning sequences, we can have as many of them in the maze as we’d like.

Our game will determine the starting positions and number of ghosts from the maze definitions, so we can place as many ghosts as we want to, anywhere in the maze. We MUST have a penalty box, with a Penalty Box Door, but we can have the ghosts start from anywhere.

Snacky’s starting position will also be determined by the maze definition. We can start the game with Snacky anywhere we want.

Tokenizing the maze
Ok, so we have a tile set that we can use to construct any maze we can think of. So, how do we do it? I told you before that we want to represent the maze as a matrix of alphanumeric characters with each character corresponding to a tile in the tile set. Our mazes are 19×22 tiles big, and thus they can be represented by a matrix containing only 418 characters. That’s pretty tight. Storing the mazes as a GIF image is 6 times as large and GIFs are compressed pretty tightly.

How do we choose the tokens for each tile? Arbitrarily. You can make any alphanumeric character represent any tile you want. I usually try to go for characters that look kinda like the tile, so when I look at the text representation, I can tell what the maze is. Here is a maze from Snack Attack! And it’s corresponding text representation:

( is an upper left corner,
) is an upper right corner,
[ is a lower left corner,
] is a lower right corner,
< is a left ending horizontal piece,
> is a right ending horizontal piece.
O is an energizer and o is a dot.
C is the player’s starting position – because C kinda looks like Snacky.
M is a Ghost (M for Monster)
P is the Penalty Box door.
= is a horizontal piece.

You get the idea. When I run out of characters that look like tiles, I just start picking letters and symbols until I run out of tiles.

I store all the levels in the game (in the maze order shown above) back to back in one long sequence of sequences of sequences. Levels is all of the mazes, Levels[1] is the about maze, Levels[3][4][5] is the token at position 5,4 in the second level.(the red one in the image above – third maze in the sequence)

For our purposes, I have created a handy, dandy maze editor we can use to create the mazes. You click on the tile you want and then place it in the game window. The program indexes into the maze definition sequence and places the right token in the right place automagically.

If you haven’t yet downloaded my version of our course project, Snack Attack!, do it now, and play it a million times to get an idea for the game.


Amazing Challenge I

By Shawn Olson

Posted on 12.18.03

As a kid I used to draw mazes all the time. Sometimes I would draw a couple dozen mazes and tape them together, so that the entire maze was twenty feet long laid out. I hadn’t made any mazes in a long time, so I decided it’s time to get back in the habit. Here is the first maze in my series of Amazing Challenges. Enjoy.Click the image to view the maze full-size.

shawn's amazing challenge 1

Copyright © 2003-2009 by Shawn Olson.


Help the Monarch butterfly fly south for the winter.

Back to Fall mazes.

Be sure to visit our main printables index for more fun including our Fall coloring pages, word puzzles and check out our great Fall crafts!

Click here for printable version

More fun printables and activities to enjoy:


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Surface Mazes

I also enjoy creating mazes. Recently I’ve been focusing on creating mazes on the surfaces of various geometric shapes (or, more accurately, I’ve been focusing on creating computer programs which generate random mazes of the surfaces of geometric shapes). Pictured to the right is a maze on the surface of a “buckyball” (i.e. a truncated icosahedron, or soccer ball).

The maze is “perfectly formed”, meaning that there are no loops, and every spot on the maze is reachable from every other spot on the maze. This is really just a prototype; I plan to make a nicer one with a solid wood structure beneath the laminated paper surface. The pictured one is simply heavy paper laminated with clear contact paper and taped at the edges of tha faces. The laminate allows one to use an erasable marker on the surface when solving.

I created a maze on the surface of a cube for my first Puzzle Party back in fall of 2004. I did not have one at EPP2, but I expect similar puzzles to crop up again at future Parties.


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Your source for mazes.

Hallucamazenic – Ink On Paper, Winter 2006, by Y. Frimer

Maze A Delical

Click here to buy Maze A Delic Royalty Free License – For Editorial and Commericial Use

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Mazes for Discussion

Adapted from Business Mazes by Joni Farthing, Hart-Davis, 1981


What is a maze?

A maze is a puzzling game. A garden maze is a network, or labyrinth, of paths between high hedges. The puzzle is to find the paths that will lead most quickly to the exit, but the hedges prevent you from seeing where alternative routes lead.

How to read a maze

There are five mazes designed to introduce and practise language common in business situations. Just like the garden maze, each one involves making decisions. However, the aim is not to reach the exit as quickly as possible, but to solve the problem effectively.

The entrance is ‘the situation’. Everyone starts here, and then chooses a course of action from 1. If none of the alternatives are exactly the path you would like to take, choose the one nearest to the ideal. Each decision leads to another number in the maze, which shows how the situation has changed because of the action you have taken. Write down every number you turn to. This is your numbers-route, (If you find yourself on a familiar path, think again!) Continue until the end, or exit, of the maze is reached.

In a garden maze you cannot use a ladder to take a quick look over the hedge to see where other paths lead. In this book, you should not look at routes unless they are indicated by your decisions.

I suggest that you work through the maze in a group, but you can do it by yourself, discussing each choice in detail before reaching a joint decision and going to the next stage. Practise your English by trying to convince others that your point of view is right, but listen to their opinions too. Keep a record of the problems and your decisions. After you finish the maze you can either discuss it further or go back along your number-route and take another look at the unfamiliar words and expressions you met on your way. Write a report when you have finished.

No Smoking

The Salesman

The Complaint

The Reference

Reg Collins

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Random Maze

Here is a random maze I have generated by Monte Carlo.  Can you find the way out?

In reality, a random maze would be much more convoluted than the above example.  Such mazes are less pleasing to the eye. In the case above a maze consisting of walls that spiral from the origin was generated, and then subjected to a Monte Carlo simulation for a short time (before the maze would randomize completely).

Random Tree:

A maze is a special kind of random tree:  in particular, it is a spanning tree of a square in the square lattice (such a maze would have only one way out from the center).  Below is a random tree in the square lattice.

Towards the limiting random lattice tree

If the number of edges in the tree above should be multiplied, while the length scale is shrunk appropriately, a limiting random tree will be seen.  In the picture below there are 10000 edges, each too small to be seen here, in a lattice tree generated by a Monte Carlo program.  The tree begins to appear like a fractal object.  The existence of a scaling limit is known in high dimensions (above 8).  There is general consensus that it also exists in dimensions below 9.

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Random Disks

The interior of a closed loop in the square lattice (or a polygon) is a Disk.  In this example, a square lattice polygon was randomized by subjecting it to a Metropolis Monte Carlo algorithm.  The interior of the polygon is a disk.

Die Oranje Vrystaat.

Die foto is in die Noord Vrystaat geneem.

Monday, November 19, 2007

Maze cartoon

Maze Classification

Mazes in general (and hence algorithms to create Mazes) can be organized along seven different classifications. These are: Dimension, Hyperdimension, Topology, Tessellation, Routing, Texture, and Focus. A Maze can take one item from each of the classes in any combination.

Dimension: The dimension class is basically how many dimensions in space the Maze covers. Types are:

  • 2D: Most Mazes, either on paper or life size, are this dimension, where it’s always possible to display the plan on the sheet of paper and navigate it without overlapping any other passages in the Maze.
  • 3D: A three dimensional Maze is one with multiple levels, where (in the orthogonal case at least) passages may go up and down in addition to the four compass directions. A 3D Maze is often displayed as an array of 2D levels, with “up” and “down” staircase indicators.
  • Higher dimensions: It’s possible to have 4D and higher dimension Mazes. These are often rendered as 3D Mazes, with special “portals” to travel through the 4th dimension, e.g. “past” and “future” portals.
  • Weave: A weave Maze is basically a 2D (or more accurately a 2.5D) Maze, but where passages can overlap each other. In display it’s generally obvious what’s a dead end and what’s a passage that goes under another. Life size Mazes that have bridges connecting one portion of the Maze to another are partially Weave.

Hyperdimension: The hyperdimension class refers to the dimension of the object you move through the Maze, as opposed to the dimension of the Maze environment itself. Types are:

  • Non-hypermaze: Virtually all Mazes, even those in higher dimensions or with special rules, are normal non-hypermazes. In them you work with a point or small object, such as a marble or yourself, which you move from point to point, where the path behind you forms a line. There’s an easily countable number of choices at each point.
  • Hypermaze: A hypermaze is where the solving object is more than just a point. A standard hypermaze (or a hypermaze of the 1st order) consists of a line where as you bend and move it the path behind it forms a surface. A hypermaze can only exist in a 3D or higher dimension environment, where the entrance to a hypermaze is also a line instead of a point. A hypermaze is fundamentally different since you need to be aware of and work with multiple parts along the line at the same time, where there’s nearly an infinite number of states and things you can do with the line at any time. The solving line is infinite, or the endpoints are fixed outside the hypermaze, to prevent one from crumpling the line into a point, which could then be treated as a non-hypermaze.
  • Hyperhypermaze: Hypermazes can be of arbitrarily high dimension. A hyperhypermaze (or a hypermaze of the 2nd order) increases the dimension of the solving object again. Here the solving object is a plane, where as you move it the path behind you forms a solid. A hyperhypermaze can only exist in a 4D or higher dimension environment.

Topology: The topology class describes the geometry of the space the Maze exists in. Types are:

  • Normal: This is a standard Maze in Euclidean space.
  • Planair: The term “planair” refers to any Maze with an abnormal topology. This usually means connecting the edges of the Maze in interesting fashions. Examples are Mazes on the surface of a cube, Mazes on the surface of a Moebius strip, and Mazes that are equivalent to being on a torus with the left and right sides wrapping and the top and bottom wrapping.

Tessellation: The tessellation class is the geometry of the individual cells that compose the Maze. Types are:

  • Orthogonal: This is a standard rectangular grid where cells have passages intersecting at right angles.
  • Delta: A Delta Maze is one composed of interlocking triangles, where each cell may have up to three passages connected to it.
  • Sigma: A Sigma Maze is one composed of interlocking hexagons, where each cell may have up to six passages connected to it.
  • Theta: Theta Mazes are composed of concentric circles of passages, where the start or finish is in the center, and the other on the outer edge. Cells usually have four possible passage connections, but may have more due to the greater number of cells in outer passage rings.
  • Upsilon: Upsilon Mazes are composed of interlocking octagons and squares, where each cell may have up to eight or four possible passages connected to it.
  • Zeta: A Zeta Maze is on a rectangular grid, except 45 degree angle diagonal passages between cells are allowed in addition to horizontal and vertical ones.
  • Omega: The term “omega” refers to most any Maze with a consistent non-orthogonal tessellation. Delta, Sigma, and Theta Mazes are all of this type, as are many other arrangements one can think up, e.g. a Maze composed of pairs of right triangles.
  • Crack: A crack Maze is an amorphous Maze without any consistent tessellation, but rather has walls or passages at random angles.
  • Fractal: A fractal Maze is a Maze composed of smaller Mazes. A nested cell fractal Maze is a Maze with other Mazes tessellated within each cell, where the process may be repeated multiple times. An infinite recursive fractal Maze is a true fractal, where the Maze contains copies of itself, and is in effect an infinitely large Maze.

Routing: The routing class is probably the most interesting with respect to Maze generation itself. It refers to the types of passages within whatever geometry defined in the categories above.

  • Perfect: A “perfect” Maze means one without any loops or closed circuits, and without any inaccessible areas. Also called a simply-connected Maze. From each point, there is exactly one path to any other point. The Maze has exactly one solution. In Computer Science terms, such a Maze can be described as a minimal spanning tree over the set of cells.
  • Braid: A “braid” Maze means one without any dead ends. Also called a purely multiply connected Maze. Such a Maze uses passages that coil around and run back into each other (hence the term “braid”) and cause you to spend time going in circles instead of bumping into dead ends. A well-designed braid Maze can be much harder than a perfect Maze of the same size.
  • Unicursal: A unicursal Maze means one without any junctions. Sometimes the term Labyrinth is used to refer to constructs of this type, where “Maze” means a puzzle where choices are involved. A unicursal Maze has just one long snake-like passage that coils throughout the extent of the Maze. It’s not really difficult unless you accidentally get turned around half way through and make your way back to the beginning again.
  • Sparseness: A sparse Maze is one that doesn’t have a passage through every cell, where some are left uncreated. This amounts to having inaccessible locations, making this somewhat the reverse of a braid Maze.
  • Partial braid: A partial braid Maze is just a mixed Maze with both loops and dead ends in it. The word “braid” can be used quantitatively, where a “heavily braid Maze” means one with many loops or detached walls, and a “slightly braid Maze” means one with just a few.

Texture: The texture class is subtle, and describes the style of the passages in whatever routing in whatever geometry. They’re not really on/off flags as much as general themes. Here are several example variables one can look at:

  • Bias: A biased Maze is one with straightaways that tend to go in one direction more than the others. For example, a Maze with a high horizontal bias will have long left-right passages, and only short up-down passages connecting them. A Maze is usually more difficult to navigate “against the grain”.
  • Run: The “run” factor of a Maze is how long straightaways tend to go before forced turnings present themselves. A Maze with a low run won’t have straight passages for more than three or four cells, and will look very random. A Maze with a high run will have long passages going across a good percentage of the Maze, and will look similar to a microchip.
  • Elite: The “elitism” factor of a Maze indicates the length of the solution with respect to the size of the Maze. An elitist Maze generally has a short direct solution, while a non-elitist Maze has the solution wander throughout a good portion of the Maze’s area. A well designed elitist Maze can be much harder than a non-elitist one.
  • Symmetric: A symmetric Maze has symmetric passages, e.g. rotationally symmetric about the middle, or reflected across the horizontal or vertical axis. A Maze may be partially or totally symmetric, and may repeat a pattern any number of times.
  • River: The “river” characteristic means that when creating the Maze, the algorithm will look for and clear out nearby cells (or walls) to the current one being created, i.e. it will flow (hence the term “river”) into uncreated portions of the Maze like water. A perfect Maze with less “river” will tend to have many short dead ends, while a Maze with more river will have fewer but longer dead ends.

Focus: The focus class is obscure, but shows that Maze creation can be divided into two general types: Wall adders, and passage carvers. This is more of an algorithmic difference when generating, as opposed to a visual difference when observing, but is still useful to consider. The same Maze can be often generated in both ways:

  • Wall adders: Algorithms that focus on walls start with an empty area (or an outer boundary) and add walls. In real life, a life size Maze composed of hedges, tarps, or wood walls, is a definite wall adder.
  • Passage carvers: Algorithms that focus on passages start with a solid block and carve passages. In real life, a Maze composed of mine tunnels, or running in the inside of pipes, is a passage carver.
  • Template: Mazes can of course be both passage carved and wall added, and some computer algorithms do just that. A Maze template refers to a general graphic that isn’t a Maze, which is then modified to be a valid Maze in as few steps as possible, but still has the texture of the original graphic template. Complicated Maze styles like interlocking spirals are easier to do on a computer as templates, as opposed to trying to create a valid Maze while keeping it conforming to whatever style at the same time.

Other: The above is by no means a comprehensive list of all possible classes or items within each class. They’re just the types of Mazes I’ve actually created. 🙂 Note most every type of Maze, including Mazes with special rules, can be expressed as a directed graph, where you have a finite number of states and a finite number of choices at each state, which is called Maze equivalence. Here are some other classes and types of Mazes:

  • Direction: This is where certain passages can only be traveled in one way. In Computer Science terms, such a Maze would be described by a directed graph, as opposed to an undirected graph like all the others.
  • Segmented: This is where a Maze has different sections of its area falling in different classes.
  • Infinite length Mazes: It’s possible to create an infinitely long Maze (a finite number of columns by as many rows as you like) by only keeping part of the Maze in memory at a time and “scrolling” from one end to the other, discarding earlier rows while creating later rows. One way is with a modified version of the Hunt and Kill algorithm. Visualize the potentially infinitely long Maze as a long film reel, composed of individual picture frames, where just two consecutive frames are kept in memory at a time. Run the Hunt and Kill algorithm, however give bias to the top frame so it gets finished first. Once finished, it’s no longer needed, so can be printed out, etc. Either way, discard it, make the partially created bottom frame be the new top frame, and clear a new bottom frame. Repeat the process until you decide to stop, at which point let Hunt And Kill finish both frames. The only limitation is the Maze will never have a path that doubles back toward the entrance for a length greater than two frames. An easier way to make an infinite Maze is with Eller’s algorithm, as it already makes Mazes one row at time, so simply keep letting it add rows to the Maze forever.
  • Virtual fractal Mazes: A virtual Maze is one where the whole Maze isn’t stored in memory at once. For example only store the 100×100 section of passages or so nearest your location, in a simulation where you walk through a large Maze. An extension of nested fractal Mazes can be used to create virtual Mazes of enormous size, such as a billion by a billion passages. Note a life size version of a billion by billion Maze (with six feet between passages) would cover the Earth’s surface over 19000 times! Consider a 10^9 by 10^9 passage Maze, or a 10×10 Maze nested with 9 levels total. If we want at least a 100×100 section around us, we only need to create the 100×100 passage submaze at the lowest level, and the seven 10×10 Mazes it’s nested within, to know exactly where the walls lie within a 100×100 section. (Actually it’s best to have four adjacent 100×100 sections forming a square, in case you’re near the edge or corner of a section, but the same concept applies.) To ensure the Maze remains consistent and never changes as you move around, have a formula to determine a random number seed for each coordinate at each nesting level. Virtual fractal Mazes are similar to a Mandelbrot set fractal, where the pictures in a Mandelbrot exist virtually, where you just need to visit a particular coordinate at a high enough zoom level for them to reveal themselves.

Maze Creation Algorithms

Here’s a list of general algorithms to create the various classes of Mazes described above:

  • Perfect: Creating a standard perfect Maze usually involves “growing” the Maze while ensuring the no loops and no isolations restriction is kept. Start with the outer wall, and add a wall segment touching it at random. Keep on adding wall segments to the Maze at random, but ensure that each new segment touches an existing wall at one end, and has its other end in an unmade portion of the Maze. If you ever added a wall segment where both ends were separate from the rest of the Maze, that would create a detached wall with a loop around it, and if you ever added a segment such that both ends touch the Maze, that would create an inaccessible area. This is the wall adding method; a nearly identical way to do it is passage carved, where new passage sections are carved such that exactly one end touches an existing passage.
  • Braid: To create a Maze without dead ends, basically add wall segments throughout the Maze at random, but ensure that each new segment added will not cause a dead end to be made. I make them with four steps: (1) Start with the outer wall, (2) Loop through the Maze and add single wall segments touching each wall vertex to ensure there are no open rooms or small “pole” walls in the Maze, (3) Loop over all possible wall segments in random order, adding a wall there if it wouldn’t cause a dead end, (4) Either run the isolation remover utility at the end to make a legal Maze that has a solution, or be smarter in step three and make sure a wall is only added if it also wouldn’t cause an isolated section.
  • Unicursal: One way to create a random unicursal Maze is to take a perfect Maze, seal off the exit so there’s only the one entrance, then add walls bisecting each passage. This will turn each dead end into a U-turn passageway, and there will be a unicursal passage starting and ending at the original Maze’s beginning, that will follow the same path as someone wall following the original Maze. The new unicursal Maze will have twice the dimensions of the original perfect Maze it was based on. Small tricks may be done to have the start and end not always be next to each other: When creating the perfect Maze, never add segments attached to the right or bottom walls, so the resulting Maze will have an easy solution that follows that wall. Have the entrance at the upper right, and after bisecting to create the unicursal routing, remove the right and bottom wall. This will result in a unicursal Maze that starts at the upper right and ends at the lower left.
  • 3D: Three and higher dimensional Mazes can be created just like the standard 2D perfect Maze, except from each cell you can move randomly to six instead of four other orthogonal cells. These Mazes are generally passage carved due to the extra dimensions.
  • Weave: Weave Mazes are basically done as passage carved perfect Mazes, except when carving a passage you’re not always blocked by an existing passage, as you have the option to go under it and still preserve the “perfect” quality. On a monochrome bitmap, a Weave Maze can be represented with four rows per passage (two rows per passage is enough for a standard perfect Maze) where you have one row for the passage itself and the other three rows to make it unambiguous when another nearby passage goes under instead of just having a dead end near the first passage. For aesthetics you may want to look ahead before carving under an existing passage, to ensure you can continue to carve once you’re completely under it, so there won’t be any dead ends that terminate under a passage. Also, after carving under a passage, you may want to invert the pixels adjacent to the intersection, making it so newer passages can go over instead of always under existing ones.
  • Crack: Crack Mazes are basically done as wall added perfect Mazes, except there are no distinct tessellation cells other than random pixel locations. Pick a pixel that’s already set as a wall, pick another random location, and “shoot” or start drawing a wall toward the second location. However, make sure you stop just before running into any existing wall, so as not to create an isolation. Stop after you haven’t been able to add any significant walls in a while. Note that random locations to draw to that may be anywhere else in the Maze, will make it so there will be several straight lines going across the Maze, and other proportionally smaller walls as you look between them, the number of walls only being limited by the pixel resolution. This makes the Maze look very much like the surface of a leaf, so this is technically a fractal Maze.
  • Omega: Omega style Mazes involve defining some grid, defining how the cells link up with each other, and how to map the vertexes that surround each cell to the screen. For example, for the triangular Delta Maze with interlocking triangular cells: (1) There’s a grid where each row has a number of cells that increases by two. (2) Each cell is connected to the cells adjacent to it in that row, except the third passage is linked to an appropriate cell in the row above or below based on whether it’s in an odd or even column (i.e. whether the triangle is pointing up or down). (3) Each cell uses the math for a triangle to figure out where to draw it on the screen. You can draw all walls on the screen ahead of time and passage carve the Maze, or keep some modified array in memory and render the whole thing when complete.
  • Hypermaze: A hypermaze in a 3D environment is similar to the reverse of a standard 3D non-hypermaze, where blocks become open spaces and vice versa. While a standard 3D Maze consists of a tree of passages through a solid area, a hypermaze consists of a tree of bars or vines through an open area. To create a hypermaze, start with solid top and bottom faces, then grow tangled vines from these faces to fill the space between, to make it harder to pass a line segment between the two faces. As long as each vine connects with either the top or bottom, the hypermaze will have at most a single solution. As long as no vine connects with both the top and bottom (which would form an impassable column), and as long as there are no vine loops in the top and bottom sections that cause them to be inextricably linked with each other like a chain, the hypermaze will be solvable.
  • Planair: Planair Mazes with unusual topology are generally done as an array of one or more smaller Mazes or Maze sections, where it’s defined how the edges connect with each other. A Maze on the surface of a cube is just six square Maze sections, where when the part being created runs into an edge it flows onto another section and onto the right edge appropriately.
  • Template: Mazes based on templates are done by simply starting with the base template image, then running the isolation remover to ensure the Maze has a solution, followed by the loop remover to ensure the Maze is hard enough, resulting in a perfect Maze that still looks very similar to the original image. For example, to create a Maze composed of interlocking spirals, just create some random spirals without worrying whether it’s a Maze or not, then run it through the isolation and loop removers.

Perfect Maze Creation Algorithms

There are a number of ways of creating perfect Mazes, each with its own characteristics. Here’s a list of specific algorithms. All of these describe creating the Maze by carving passages, however unless otherwise specified each can also be done by adding walls:

  • Recursive backtracker: This is somewhat related to the recursive backtracker solving method described below, and requires stack up to the size of the Maze. When carving, be as greedy as possible, and always carve into an unmade section if one is next to the current cell. Each time you move to a new cell, push the former cell on the stack. If there are no unmade cells next to the current position, pop the stack to the previous position. The Maze is done when you pop everything off the stack. This algorithm results in Mazes with about as high a “river” factor as possible, with fewer but longer dead ends, and usually a very long and twisty solution. It runs quite fast, although Prim’s algorithm is a bit faster. Recursive backtracking doesn’t work as a wall adder, because doing so tends to result in a solution path that follows the outside edge, where the entire interior of the Maze is attached to the boundary by a single stem.
  • Prim’s algorithm: This requires storage proportional to the size of the Maze. During creation, each cell is one of three types: (1) “In”: The cell is part of the Maze and has been carved into already, (2) “Frontier”: The cell is not part of the Maze and has not been carved into yet, but is next to a cell that’s already “in”, and (3) “Out”: The cell is not part of the Maze yet, and none of its neighbors are “in” either. Start by picking a cell, making it “in”, and setting all its neighbors to “frontier”. Proceed by picking a “frontier” cell at random, and carving into it from one of its neighbor cells that are “in”. Change that “frontier” cell to “in”, and update any of its neighbors that are “out” to “frontier”. The Maze is done when there are no more “frontier” cells left (which means there are no more “out” cells left either, so they’re all “in”). This algorithm results in Mazes with a very low “river” factor, with many short dead ends, and the solution is usually pretty direct as well. It also runs very fast when implemented right, with only Eller’s algorithm being faster.
  • Kruskal’s algorithm: This algorithm is interesting because it doesn’t “grow” the Maze like a tree, but rather carves passage segments all over the Maze at random, but yet still results in a perfect Maze in the end. It requires storage proportional to the size of the Maze, along with the ability to enumerate each edge or wall between cells in the Maze in random order (which usually means creating a list of all edges and shuffling it randomly). Label each cell with a unique id, then loop over all the edges in random order. For each edge, if the cells on either side of it have different id’s, then erase the wall, and set all the cells on one side to have the same id as those on the other. If the cells on either side of the wall already have the same id, then there already exists some path between those two cells, so the wall is left alone so as to not create a loop. This algorithm yields Mazes with a low “river” factor, but not as low as Prim’s algorithm. Merging the two sets on either side of the wall will be a slow operation if each cell just has a number and are merged by a loop. Merging as well as lookup can be done in near constant time by giving each cell a node in a tree structure, with the id at the root, where merging is done quickly by splicing the trees together. Done right, this algorithm runs reasonably fast, but not as fast as either of the above two, because of the edge list and set management.
  • Aldous-Broder algorithm: The interesting thing about this algorithm is it generates all possible Mazes of a given size with equal probability. It also requires no extra storage or stack. Pick a point, and move to a neighboring cell at random. If an uncarved cell is entered, carve into it from the previous cell. Keep moving to neighboring cells until all cells have been carved into. This algorithm yields Mazes with a low “river” factor, only slightly higher than Kruskal’s algorithm. (This means for a given size there are more Mazes with a low “river” factor than high “river”, since an average equal probability Maze has low “river”.) The bad thing about this algorithm is that it’s very slow, since it doesn’t do any intelligent hunting for the last cells, where in fact it’s not even guaranteed to terminate. However since the algorithm is simple it can move over many cells quickly, so finishes faster than one might think. On average it takes about seven times longer to run than the above algorithms, although in bad cases it can take much longer if the random number generator keeps making it avoid the last few cells. This can be done as a wall adder if the boundary wall is treated as a single vertex, i.e. if a move goes to the boundary wall, teleport to a random point along the boundary before moving again. As a wall adder this runs nearly twice as fast, because the boundary wall teleportation allows quicker access to distant parts of the Maze.
  • Wilson’s algorithm: This is an improved version of the Aldous-Broder algorithm, in that it produces Mazes exactly like that algorithm, with all possible Mazes generated with equal probability, except that Wilson’s algorithm runs much faster. It requires storage up to the size of the Maze. Begin by making a random starting cell part of the Maze. Proceed by picking a random cell not already part of the Maze, and doing a random walk until a cell is found which is already part of the Maze. Once the already created part of the Maze is hit, go back to the random cell that was picked, and carve along the path that was taken, adding those cells to the Maze. More specifically, when retracing the path, at each cell carve along the direction that the random walk most recently took when it left that cell. That avoids adding loops along the retraced path, resulting in a single long passage being appended to the Maze. The Maze is done when all cells have been appended to the Maze. This has similar performance issues as Aldous-Broder, where it may take a long time for the first random path to find the starting cell, however once a few paths are in place, the rest of the Maze gets carved quickly. On average this runs five times faster than Aldous-Broder, and takes less than twice as long as the top algorithms. Note this runs twice as fast when implemented as a wall adder, because the whole boundary wall starts as part of the Maze, so the first walls are connected much quicker.
  • Hunt and kill algorithm: This algorithm is nice because it requires no extra storage or stack, and is therefore suited to creating the largest Mazes or Mazes on the most limited systems, since there are no issues of running out of memory. Since there are no rules that must be followed all the time, it’s also the easiest to modify and to get to create Mazes of different textures. It’s most similar to the recursive backtracker, except when there’s no unmade cell next to the current position, you enter “hunting” mode, and systematically scan over the Maze until an unmade cell is found next to an already carved into cell, at which point you start carving again at that new location. The Maze is done when all cells have been scanned over once in “hunt” mode. This algorithm tends to make Mazes with a high “river” factor, but not as high as the recursive backtracker. You can make this generate Mazes with a lower river factor by choosing to enter “hunt” mode more often. It runs slower due to the time spent hunting for the last cells, but isn’t much slower than Kruskal’s algorithm. This can be done as a wall adder if you randomly teleport on occasion, to avoid the issues the recursive backtracker has.
  • Growing tree algorithm: This is a general algorithm, capable of creating Mazes of different textures. It requires storage up to the size of the Maze. Each time you carve a cell, add that cell to a list. Proceed by picking a cell from the list, and carving into an unmade cell next to it. If there are no unmade cells next to the current cell, remove the current cell from the list. The Maze is done when the list becomes empty. The interesting part that allows many possible textures is how you pick a cell from the list. For example, if you always pick the most recent cell added to it, this algorithm turns into the recursive backtracker. If you always pick cells at random, this will behave similarly but not exactly to Prim’s algorithm. If you always pick the oldest cells added to the list, this will create Mazes with about as low a “river” factor as possible, even lower than Prim’s algorithm. If you usually pick the most recent cell, but occasionally pick a random cell, the Maze will have a high “river” factor but a short direct solution. If you randomly pick among the most recent cells, the Maze will have a low “river” factor but a long windy solution.
  • Eller’s algorithm: This algorithm is special because it’s not only faster than all the others that don’t have obvious biases or blemishes, but its creation is also the most memory efficient. It doesn’t even require the whole Maze to be in memory, only using storage proportional to the size of a row. It creates the Maze one row at a time, where once a row has been generated, the algorithm no longer looks at it. Each cell in a row is contained in a set, where two cells are in the same set if there’s a path between them through the part of the Maze that’s been made so far. This information allows passages to be carved in the current row without creating loops or isolations. This is actually quite similar to Kruskal’s algorithm, just this completes one row at a time, while Kruskal’s looks over the whole Maze. Creating a row consists of two parts: Randomly connecting adjacent cells within a row, i.e. carving horizontal passages, then randomly connecting cells between the current row and the next row, i.e. carving vertical passages. When carving horizontal passages, don’t connect cells already in the same set (as that would create a loop), and when carving vertical passages, you must connect a cell if it’s a set of size one (as abandoning it would create an isolation). When carving horizontal passages, when connecting cells union the sets they’re in (since there’s now a path between them), and when carving vertical passages, when not connecting a cell put it in a set by itself (since it’s now disconnected from the rest of the Maze). Creation starts with each cell in its own set before connecting cells within the first row, and creation ends after connecting cells within the last row, with a special final rule that every cell must be in the same set by the time we’re done to prevent isolations. (The last row is done by connecting each pair of adjacent cells if not already in the same set.) One issue with this algorithm is that it’s not balanced with respect to how it treats the different edges of the Maze, where connecting vs. not connecting cells need to be done in the right proportions to prevent texture blemishes.
  • Recursive division: This algorithm is somewhat similar to recursive backtracking, since they’re both stack based, except this focuses on walls instead of passages. Start by making a random horizontal or vertical wall crossing the available area in a random row or column, with an opening randomly placed along it. Then recursively repeat the process on the two subareas generated by the dividing wall. For best results, give bias to choosing horizontal or vertical based on the proportions of the area, e.g. an area twice as wide as it is high should be divided by a vertical wall more often. This is the fastest algorithm without directional biases, although it has the obvious blemish of long walls crossing the interior. This algorithm is a form of nested fractal Mazes, except instead of always making fixed cell size Mazes with Mazes of the same size within each cell, it divides the given area randomly into a random sized 1×2 or 2×1 Maze. Recursive division doesn’t work as a passage carver, because doing so results in an obvious solution path that either follows the outside edge or else directly crosses the interior.
  • Binary tree Mazes: This is basically the simplest and fastest algorithm possible, however Mazes produced by it have a very biased texture. For each cell carve a passage either leading up or leading left, but not both. In the wall added version, for each vertex add a wall segment leading down or right, but not both. Each cell is independent of every other cell, where you don’t have to refer to the state of any other cells when creating it. Hence this is a true memoryless Maze generation algorithm, with no limit to the size of Maze you can create. This is basically a computer science binary tree, if you consider the upper left corner the root, where each node or cell has one unique parent which is the cell above or to the left of it. Binary tree Mazes are different than standard perfect Mazes, since about half the cell types can never exist in them. For example there will never be a crossroads, and all dead ends have passages pointing up or left, and never down or right. The Maze tends to have passages leading diagonally from upper left to lower right, where the Maze is much easier to navigate from lower right to upper left. You will always be able to travel up or left, but never both, so you can always deterministically travel diagonally up and to the left without hitting any barriers. Traveling down and to the right is when you’ll encounter choices and dead ends. Note if you flip a binary tree Maze upside down and treat passages as walls and vice versa, the result is basically another binary tree.
  • Sidewinder Mazes: This simple algorithm is very similar to the binary tree algorithm, and only slightly more complicated. The Maze is generated one row at a time: For each cell randomly decide whether to carve a passage leading right. If a passage is not carved, then consider the horizontal passage just completed, formed by the current cell and any cells to the left that carved passages leading to it. Randomly pick one cell along this passage, and carve a passage leading up from it (which must be the current cell if the adjacent cell didn’t carve). While a binary tree Maze always goes up from the leftmost cell of a horizontal passage, a sidewinder Maze goes up from a random cell. While binary tree has the top and left edges of the Maze one long passage, a sidewinder Maze has just the top edge one long passage. Like binary tree, a sidewinder Maze can be solved deterministically without error from bottom to top, because at each row, there will always be exactly one passage leading up. A solution to a sidewinder Maze will never double back on itself or visit a row more than once, although it will “wind from side to side”. The only cell type that can’t exist in a sidewinder Maze is a dead end with the passage facing down, because that would contradict the fact that every passage going up leads back to the start. A sidewinder Maze tends to have an elitist solution, where the right path is very direct, but there are many long false paths leading down from the top next to it.
Algorithm Dead End % Type Focus Bias Free? Memory Time Solution %
Unicursal 0 Tree Wall Yes N^2 261 100.0
Recursive Backtracker 10 Tree Passage Yes N^2 24 19.0
Hunt and Kill 11 (21) Tree Passage no 0 55 (105) 9.5 (3.9)
Recursive Division 23 Tree Wall Yes N 8 7.2
Binary Tree 25 Set Either no 0* 7 2.0
Sidewinder 27 Set Either no 0* 8 2.6
Eller’s Algorithm 28 Set Either no N* 10 4.2 (3.2)
Wilson’s Algorithm 29 Tree Either Yes N^2 51 (26) 4.5
Aldous-Broder Algorithm 29 Tree Either Yes 0 222 (160) 4.5
Kruskal’s Algorithm 30 Set Either Yes N^2 32 4.1
Prim’s Algorithm 36 (31) Tree Either Yes N^2 21 2.3
Growing Tree 49 (39) Tree Either Yes N^2 43 11.0

This table summarizes the characteristics of the perfect Maze creation algorithms above. The Unicursal Maze algorithm (unicursal Mazes are technically perfect) is included for comparison. Descriptions of the columns follow:

  • Dead End: This is the approximate percentage of cells that are dead ends in a Maze created with this algorithm, when applied to an orthogonal 2D Maze. The algorithms in the table are sorted by this field. Usually creating by adding walls is the same as carving passages, however if significantly different the wall adding percentage is in parentheses. The Growing Tree value can actually range from 10% (always pick newest cell) to 49% (always swap with oldest cell). With a high enough run factor the Recursive Backtracker can get lower than 1%. The highest possible dead end percentage in an 2D orthogonal perfect Maze is 66%, which would be a unicursal passage with a bunch of one unit long dead ends off either side of it.
  • Type: There are two types of perfect Maze creation algorithms: A tree based algorithm grows the Maze like a tree, always adding onto what is already present, having a valid perfect Maze at every step. A set based algorithm builds where it pleases, keeping track of which parts of the Maze are connected with each other, to ensure it’s able to link everything up to form a valid Maze by the time it’s done.
  • Focus: Most algorithms can be implemented by either carving passages or adding walls. A few can only be done as one or the other. Unicursal Mazes are always wall added since they involve bisecting passages with walls, although the base Maze can be created either way. Recursive Backtracker can’t be done as a wall adder because doing so tends to result in a solution path that follows the outside edge, where the entire interior of the Maze is attached to the boundary by a single stem. Similarly Recursive Division can only be done as a wall adder due to its bisection behavior. Hunt and Kill is technically only passage carved for a similar reason, although it can be wall added if effort is made to grow inward from all boundary walls equally.
  • Bias Free: This is whether the algorithm treats all directions and sides of the Maze equally, where analysis of the Maze afterward can’t reveal any bias. Binary Tree is extremely biased, where it’s easy traveling toward one corner and hard to its opposite. Sidewinder is also biased, where it’s easy traveling toward one edge and hard to its opposite. Eller’s algorithm tends to have a passage roughly paralleling the starting or finishing edges. Hunt and Kill is nearly bias free, although the back and forth systematic searching will give a slight bias along that axis.
  • Memory: This is how much extra memory or stack is required to implement the algorithm. Efficient algorithms only require and look at the Maze bitmap itself, while others require storage proportional to a single row (N), or proportional to the number of cells (N^2). Some algorithms don’t even need to have the entire Maze in memory (these are marked with a asterisk). Eller’s algorithm requires storage for a row, but more than makes up for that since it only needs to store the current row of the Maze in memory. Sidewinder also only needs to store one row of the Maze, while Binary Tree only needs to keep track of the current cell. Recursive Division requires stack up to the size of a row, but other than that doesn’t need to look at the Maze bitmap any.
  • Time: This gives an idea of how long it takes to create a Maze using this algorithm, lower numbers being faster. The numbers are only relative to each other (with the fastest standard algorithm being assigned speed 10) as opposed to in some units, because the time is dependent on the size of the Maze and speed of the computer. These numbers are from creating 100×100 passage Mazes in the latest version of Daedalus. Usually creating by adding walls is the same speed as carving passages, however if significantly different the wall adding time is in parentheses.
  • Solution: This is the percentage of cells in the Maze that the solution path passes through, for a typical Maze created by the algorithm. This assumes the Maze is 100×100 passages with the start and end in opposite corners. This is a measure of the “windiness” of the solution path. Unicursal Mazes have maximum windiness, since the solution goes throughout the entire Maze. Binary Tree has the minimum possible windiness, where the solution path simply crosses the Maze and never deviates away from or ceases to make progress toward the end. Usually creating by adding walls has the same properties as carving passages, however if significantly different the wall adding percentage is in parentheses.

Maze Solving Algorithms

There are a number of ways of solving Mazes, each with its own characteristics. Here’s a list of specific algorithms:

  • Dead end filler: This is a simple Maze solving algorithm. It focuses on the Maze, is always very fast, and uses no extra memory. Just scan the Maze, and fill in each dead end, filling in the passage backwards from the block until you reach a junction. This includes filling in passages that become parts of dead ends once other dead ends are removed. At the end only the solution will remain, or solutions if there are more than one. This will always find the one unique solution for perfect Mazes, but won’t do much in heavily braid Mazes, and in fact won’t do anything useful at all for those Mazes without dead ends.
  • Wall follower: This is another simple Maze solving algorithm. It focuses on you, is always very fast, and uses no extra memory. Start following passages, and whenever you reach a junction always turn right (or left). Equivalent to a human solving a Maze by putting their hand on the right (or left) wall and leaving it there as they walk through. If you like you can mark what cells you’ve visited, and what cells you’ve visited twice, where at the end you can retrace the solution by following those cells visited once. This method won’t necessarily find the shortest solution, and it doesn’t work at all when the goal is in the center of the Maze and there’s a closed circuit surrounding it, as you’ll go around the center and eventually find yourself back at the beginning. Wall following can be done in a deterministic way in a 3D Maze by projecting the 3D passages onto the 2D plane, e.g. by pretending up passages actually lead northwest and down lead southeast, and then applying normal wall following rules.
  • Cul-de-sac filler: This method finds and fills in cul-de-sacs or nooses, i.e. constructs in a Maze consisting of a blind alley stem that has a single loop at the end. Like the dead end filler, it focuses on the Maze, is always fast, and uses no extra memory. Scan the Maze, and for each noose junction (a noose junction being one where two of the passages leading from it connect with each other with no other junctions along the way) add a wall to convert the entire noose to a long dead end. Afterwards run the dead end filler. Mazes can have nooses hanging off other constructs that will become nooses once the first one is removed, so the whole process can be repeated until nothing happens during a scan. This doesn’t do much in complicated heavily braid Mazes, but will be able to invalidate more than just the dead end filler.
  • Blind alley filler: This method finds all possible solutions, regardless of how long or short they may be. It does so by filling in all blind alleys, where a blind alley is a passage where if you walk down it in one direction, you will have to backtrack through that passage in the other direction in order to reach the goal. All dead ends are blind alleys, and all nooses as described in the cul-de-sac filler are as well, along with any sized section of passages connected to the rest of the Maze by only a single stem. This algorithm focuses on the Maze, uses no extra memory, but unfortunately is rather slow. For each junction, send a wall following robot down each passage from it, and see if the robot sent down a path comes back from the same path (as opposed to returning from a different direction, or it exiting the Maze). If it does, then that passage and everything down it can’t be on any solution path, so seal that passage off and fill in everything behind it. This algorithm will fill in everything the cul-de-sac filler will and then some, however the collision solver will fill in everything this algorithm will and then some.
  • Blind alley sealer: This is like the blind alley filler, in that it also finds all possible solutions by removing blind alleys from the Maze. However this just fills in the stem passage of each blind alley, and doesn’t touch any collection of passages at the end of it. As a result this will create inaccessible passage sections for cul-de-sacs or any blind alley more complicated than a dead end. This algorithm focuses on the Maze, runs much faster than the blind alley filler, although it requires extra memory. Assign each connected section of walls to a unique set. To do this, for each wall section not already in a set, flood across the top of the walls at that point, and assign all reachable walls to a new set. After all walls are in sets, then for each passage section, if the walls on either side of it are in the same set, then seal off that passage. Such a passage must be a blind alley, since the walls on either side of it link up with each other, forming a pen. Note a similar technique can be used to help solve hypermazes, by sealing off space between branches that connect with each other.
  • Pledge algorithm: This is a modified version of wall following that’s able to jump between islands, to solve Mazes wall following can’t. It’s a guaranteed way to reach an exit on the outer edge of any 2D Maze from any point in the middle, however it’s not able to do the reverse, i.e. find a solution within the Maze. It’s great for implementation by a Maze escaping robot, since it can get out of any Maze without having to mark or remember the path in any way. Start by picking a direction, and always move in that direction when possible. When a wall is hit, start wall following until your chosen direction is available again. Note you should start wall following upon the far wall that’s hit, where if the passage turns a corner there, it can cause you to turn around in the middle of a passage and go back the way you came. When wall following, count the number of turns you make, e.g. a left turn is -1 and a right turn is 1. Only stop wall following and take your chosen direction when the total number of turns you’ve made is 0, i.e. if you’ve turned around 360 degrees or more, keep wall following until you untwist yourself. The counting ensures you’re eventually able to reach the far side of the island you’re currently on, and jump to the next island in your chosen direction, where you’ll keep on island hopping in that direction until you hit the boundary wall, at which point wall following takes you to the exit. Note Pledge algorithm may make you visit a passage or the start more than once, although subsequent times will always be with different turn totals. Without marking your path, the only way to know whether the Maze is unsolvable is if your turn total keeps increasing, although the turn total can get to large numbers in solvable Mazes in a spiral passage.
  • Chain algorithm: The Chain algorithm solves the Maze by effectively treating it as a number of smaller Mazes, like links in a chain, and solving them in sequence. You have to specify the start and desired end locations, and the algorithm will always find a path from start to end if one exists, where the solution tends to be a reasonably short if not the shortest solution. That means this can’t solve Mazes where you don’t know exactly where the end is. This is most similar to Pledge algorithm since it’s also essentially a wall follower with a way to jump between islands. Start by drawing a straight line (or at least a line that doesn’t double back on itself) from start to end, letting it cross walls if needed. Then just follow the line from start to end. If you bump into a wall, you can’t go through it, so you have to go around. Send two wall following “robots” in both directions along the wall you hit. If a robot runs into the guiding line again, and at a point which is closer to the exit, then stop, and follow that wall yourself until you get there too. Keep following the line and repeating the process until the end is reached. If both robots return to their original locations and directions, then farther points along the line are inaccessible, and the Maze is unsolvable.
  • Recursive backtracker: This will find a solution, but it won’t necessarily find the shortest solution. It focuses on you, is fast for all types of Mazes, and uses stack space up to the size of the Maze. Very simple: If you’re at a wall (or an area you’ve already plotted), return failure, else if you’re at the finish, return success, else recursively try moving in the four directions. Plot a line when you try a new direction, and erase a line when you return failure, and a single solution will be marked out when you hit success. When backtracking, it’s best to mark the space with a special visited value, so you don’t visit it again from a different direction. In Computer Science terms this is basically a depth first search. This method will always find a solution if one exists, but it won’t necessarily be the shortest solution.
  • Tremaux’s algorithm: This Maze solving method is designed to be able to be used by a human inside of the Maze. It’s similar to the recursive backtracker and will find a solution for all Mazes: As you walk down a passage, draw a line behind you to mark your path. When you hit a dead end turn around and go back the way you came. When you encounter a junction you haven’t visited before, pick a new passage at random. If you’re walking down a new passage and encounter a junction you have visited before, treat it like a dead end and go back the way you came. (That last step is the key which prevents you from going around in circles or missing passages in braid Mazes.) If walking down a passage you have visited before (i.e. marked once) and you encounter a junction, take any new passage if one is available, otherwise take an old passage (i.e. one you’ve marked once). All passages will either be empty, meaning you haven’t visited it yet, marked once, meaning you’ve gone down it exactly once, or marked twice, meaning you’ve gone down it and were forced to backtrack in the opposite direction. When you finally reach the solution, paths marked exactly once will indicate a direct way back to the start. If the Maze has no solution, you’ll find yourself back at the start with all passages marked twice.
  • Collision solver: Also called the “amoeba” solver, this method will find all shortest solutions. It focuses on you multiple times, is fast for all types of Mazes, and requires at least one copy of the Maze in memory in addition to using memory up to the size of the Maze. It basically floods the Maze with “water”, such that all distances from the start are filled in at the same time (a breadth first search in Computer Science terms) and whenever two “columns of water” approach a passage from both ends (indicating a loop) add a wall to the original Maze where they collide. Once all parts of the Maze have been “flooded”, fill in all the new dead ends, which can’t be on the shortest path, and repeat the process until no more collisions happen. (Picture amoebas surfing at the crest of each “wave” as it flows down the passages, where when waves collide, the amoebas head-butt and get knocked out, and form there a new wall of unconscious amoebas, hence the name.)
  • Shortest path finder: As the name indicates, this algorithm finds the shortest solution, picking one if there are multiple shortest solutions. It focuses on you multiple times, is fast for all types of Mazes, and requires quite a bit of extra memory proportional to the size of the Maze. Like the collision solver, this basically floods the Maze with “water”, such that all distances from the start are filled in at the same time (a breadth first search in Computer Science terms) however each “drop” or pixel remembers which pixel it was filled in by. Once the solution is hit by a “drop”, trace backwards from it to the beginning and that’s a shortest path. This algorithm works well given any input, because unlike most of the others, this doesn’t require the Maze to have any one pixel wide passages that can be followed. Note this is basically the A* path finding algorithm without a heuristic so all movement is given equal weight.
  • Shortest paths finder: This is very similar to the shortest path finder above, except this finds all shortest solutions. Like the shortest path finder, this focuses on you multiple times, is fast for all types of Mazes, requires extra memory proportional to the size of the Maze, and works well given any input since it doesn’t require the Maze to have any one pixel wide passages that can be followed. Also like the shortest path finder, this does a breadth first search flooding the Maze with “water” such that all distances from the start are filled in at the same time, except here each pixel remembers how far it is from the beginning. Once the end is reached, do another breadth first search starting from the end, however only allow pixels to be included which are one distance unit less than the current pixel. The included pixels precisely mark all the shortest solutions, as blind alleys and non-shortest paths will jump in pixel distances or have them increase.
  • Random mouse: For contrast, here’s an inefficient Maze solving method, which is basically to move randomly, i.e. move in one direction and follow that passage through any turnings until you reach the next junction. Don’t do any 180 degree turns unless you have to. This simulates a human randomly roaming the Maze without any memory of where they’ve been. It’s slow and isn’t guaranteed to ever terminate or solve the Maze, and once the end is reached it will be just as hard to retrace your steps, but it’s definitely simple and doesn’t require any extra memory to implement.
Algorithm Solutions Guarantee? Focus Human Doable? Passage Free? Memory Free? Fast?
Random Mouse 1 no You Inside / Above no Yes no
Wall Follower 1 no You Inside / Above Yes Yes Yes
Pledge Algorithm 1 no You Inside / Above Yes Yes Yes
Chain Algorithm 1 Yes You + no Yes no Yes
Recursive Backtracker 1 Yes You no Yes no Yes
Tremaux’s Algorithm 1 Yes You Inside / Above no no Yes
Dead End Filler All + no Maze Above no Yes Yes
Cul-de-sac Filler All + no Maze Above no Yes Yes
Blind Alley Sealer All + Yes Maze no no no Yes
Blind Alley Filler All Yes Maze Above no Yes no
Collision Solver All Shortest Yes You + no no no Yes
Shortest Paths Finder All Shortest Yes You + no Yes no Yes
Shortest Path Finder 1 Shortest Yes You + no Yes no Yes

This table summarizes the characteristics of the Maze solving algorithms above. Maze solving algorithms can be classified and judged by these criteria. Descriptions of the columns follow:

  • Solutions: This describes the solutions the algorithm finds, and what the algorithm does when there’s more than one. An algorithm can pick one solution, or leave multiple solutions. Also the solution(s) can be any path, or they can be the shortest path. The dead end and cul-de-sac fillers (and the blind alley sealer when considering its inaccessible sections) leave all solutions, however they may also leave passages that aren’t on any solution path, so are marked “All +” above.
  • Guarantee: This is whether the algorithm is guaranteed to find at least one solution. Random mouse is “no” because it isn’t guaranteed to terminate, and wall follower and Pledge algorithm are “no” because they will fail to find a solution if the goal is within an island. The dead end and cul-de-sac fillers are “no” because they may not do anything to the Maze at all in purely braid Mazes.
  • Focus: There are two general types of algorithms to solve a Maze: Focus on “you”, or focus on the Maze. In a you-focuser, you have a single point (“You” above) or a set of points (“You +” above) and try to move them through the Maze from start to finish. In a Maze-focuser, you look at the Maze as a whole and invalidate useless passages.
  • Human Doable: This refers to whether a person could readily use the algorithm to solve the Maze, either while inside a life sized version, or while looking at a map from above. Some you-focuser algorithms can be implemented by a person inside (or above) the Maze, while some Maze-focusers can be implemented by a person, but only from above. Other algorithms are complicated or intricate enough they can only reliably be done by a computer.
  • Passage Free: This is whether the algorithm can be done anywhere. Some algorithms require the Maze to have obvious passages, or distinct edges between distinct vertices in graph terms, or one pixel wide passages when implemented on a computer. The wall follower, Pledge algorithm, and chain algorithm only require a wall on one side of you. The recursive backtracker and the shortest path(s) finders make their own paths through open spaces.
  • Memory Free: This is whether no extra memory or stack is required to implement the algorithm. Efficient algorithms only require and look at the Maze bitmap itself, and don’t need to add markers to the Maze during the solving process.
  • Fast: This is whether the solving process is considered fast. The most efficient algorithms only need to look at each cell in the Maze once, or can skip sections altogether. Running time should be proportional to the size of the Maze, or in Computer Science terms O(n^2) where n is the number of cells along one side. Random mouse is slow because it isn’t guaranteed to terminate, while the blind alley filler potentially solves the Maze from each junction.

Other Maze Operations

There are more things that can be done with Mazes beyond just creating and solving them, as described below:

  • Flood fill: A quick and dirty yet useful utility can be implemented with a single call to a graphics library’s Fill or FloodFill routine. FloodFill the passage at the beginning, and if the end isn’t filled, the Maze has no solution. For Mazes with an entrance and exit on the edges, FloodFill one wall, and the remaining edge marks out the solution. For Mazes with the start or goal inside the Maze, FloodFill the surrounding wall, and if the exit wall isn’t erased, wall following won’t work to solve it. Many Maze creation methods, solving methods, and other utilities involve “flooding” the Maze at certain points.
  • Isolation remover: This means to edit the Maze such that there are no passage sections that are inaccessible from the rest of the Maze, by removing walls to connect such sections to the rest of the Maze. Start with a copy of the Maze, then flood the passage at the beginning. Scan the Maze (preferably in a random order that still hits every possible cell) for any unfilled cells adjacent to a filled cell. Remove a wall segment in the original Maze at that point, flood the Maze at this new point, and repeat until every section is filled. This utility is used in the creation of braid and template Mazes.
  • Loop remover: This means to edit the Maze such that there are no loops or detached walls within it, every section of the Maze reachable from any other by at most one path. The way to do this is almost identical to the isolation remover, just treat walls as passages and vice versa. Start with a copy of the Maze, then flood across the top of the outer walls. Scan the Maze (preferably in a random other that still hits every possible wall vertex) for any unfilled walls adjacent to a filled wall. Add a wall segment to the original Maze at that point connecting the two wall sections, flood the Maze at this new point, and repeat until every section is filled. This utility is used in the creation of template Mazes, and can be used to convert a braid Maze to a perfect Maze that still looks similar to the original.
  • Bottleneck finder: This means to find those passages or intersection points in a Maze such that every solution to that Maze passes through them. To do this, run the left hand wall follower to get the leftmost solution, and run the right hand wall follower to get the rightmost solution, where places the two solutions have in common are the bottlenecks. That technique however only works for Mazes that wall following will successfully solve. For other Mazes, to find bottleneck passages, find any solution to the Maze, and also run the blind alley sealer (which may make the Maze unsolvable if it treats an entrance or exit within the Maze as a large blind alley). Parts of the solution path that go through sealed off passages, are bottlenecks.

Algorithm Implementations

  • Daedalus: All the Maze creation and solving algorithms described above are implemented in Daedalus, a free Windows program available for download. Daedalus comes with its complete source code, which can be viewed to see more information about and specific implementations of these algorithms.

Back to Think Labyrinth!

This site produced by Walter D. Pullen (see Astrolog homepage), hosted on Magitech and, created using Microsoft FrontPage, page last updated March 3, 2009.

Free printable mazes from 4 great websites!

Maze Master
You want to be a Maze Master? Then check out this website and the really neat colored mazes available. These mazes include some of the more advanced under and over type mazes which add a level of difficult and complexity. Really neat compositions as well.

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Astrolog Maze’s

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Team of Monkeys

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